Reducing the plot to barely nothing and no special effects, Tarkovsky relied on his materialistic style to create a unique nonlinear visual experience. Outside reality, just like the Zone, wouldn't be more coherent in its maddening uncertainties.
奥特曼+卡佛以英文名为准shortcuts意为捷径短切与涉及九组人物的3小时网状叙事截然相反奥特曼的变焦镜头就是长眼睛的老天从开头的害虫消杀到大地震结束成人的情爱世界背后是一个业力/天启装置中间是猎物自由捕获的时间伦理选择在于上钩与否这时卡佛最拿手的描写美国人的手法开始奏效一整个无事生非、爱的徒劳、measure for measure等等最喜欢这部里女人欢笑的镜头其中有解放性的力量